Destiny's Gate (1994)

Back in the major label saddle again. This was largely due to Lionel Conway at Maverick, who signed me to a publishing agreement and introduced my work to Jim Ed Norman at Warner Bros. Nashville, who signed me to his Progressive Music (non-country) part of the label. I feel very fortunate that Jim Ed has given my format-challenged music a home. This recording bridged my past to the present, Austin to Nashville, and remained pretty eclectic.